Raasted Jørgen, The «laetantis adverbia» of Aurelian's Greek informant

Raasted Jørgen, 

«The «laetantis adverbia» of Aurelian's Greek informant», Aspects de la musique liturgique au Moyen Âge, p. 55-66. 

Paris 1991

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Raasted Jørgen, A primitive palaeobyzantine musical notation

Raasted Jørgen, 

«A primitive palaeobyzantine musical notation», Classica et Mediaevalia 23 (1962), p. 301-310. 

1982

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Raasted Jørgen, Zur Erforschung der paläobyzantinischen Musikquellen

Raasted Jørgen, 

«Zur Erforschung der paläobyzantinischen Musikquellen», Palaeobyzantine notations. A Reconsideration of the Source Material, p. 1-10. 

Hernen 1995

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Raasted Jørgen, Theta Notation and Some Related Notational Types

Raasted Jørgen, 

«Theta Notation and Some Related Notational Types», Palaeobyzantine notations. A Reconsideration of the Source Material, p. 57-62. 

Hernen 1995

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Raasted Jørgen, Observations on the Chartres and Coislin Versions of the Good Friday Sticheron ~ "Ὤ πῶς ἡ παράνομος συναγωγή"

Raasted Jørgen, 

«Observations on the Chartres and Coislin Versions of the Good Friday Sticheron ~ "Ὤ πῶς ἡ παράνομος συναγωγή"», Palaeobyzantine notations. A Reconsideration of the Source Material, p. 131-153. 

Hernen 1995

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Raasted Jørgen, Rhythm in Byzantine Chant

Raasted Jørgen, 

«Rhythm in Byzantine Chant», Rhythm in Byzantine Chant. Acta of the congress held at Hemen Castle in November 1986, p. 67-91. 

Hernen 1991

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Raasted Jørgen, Voice and Verse in a Troparion of Cassia

Raasted Jørgen, 

«Voice and Verse in a Troparion of Cassia», Studies in Easter Chant, vol. 3, p. 171-178. 

London 1973

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Raasted Jørgen, A Newly Discovered Fragment of a Fourteenth-Century Heirmologion

Raasted Jørgen, 

«A Newly Discovered Fragment of a Fourteenth-Century Heirmologion», Studies in Eastern Chant 2, p. 100-111. 

London 1971

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Raasted Jørgen, Observations on the Manuscript Tradition of Byzantine Music, I: A List of Heirmos Call-Numbers, based on Eustratiades’s Edition of the Heirmologion

Raasted Jørgen, 

«Observations on the Manuscript Tradition of Byzantine Music, I: A List of Heirmos Call-Numbers, based on Eustratiades’s Edition of the Heirmologion», Cahiers de l'institut du Moyen Âge grec et latin 1 (1969), p.1-12. 

Copenhague 1969

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Raasted Jørgen, Observations on the Manuscript Tradition of Byzantine Music. II: The Contents of some Early Heirmologia

Raasted Jørgen, 

«Observations on the Manuscript Tradition of Byzantine Music. II: The Contents of some Early Heirmologia», Cahiers de l'institut du Moyen Âge grec et latin 8 (1972), p. 35-47. 

Copenhague 1972

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Raasted Jørgen, Musical Notation and Quasi-Notation in Syro-Melkite Liturgical Manuscripts

Raasted Jørgen, 

«Musical Notation and Quasi-Notation in Syro-Melkite Liturgical Manuscripts», Cahiers de l'institut du Moyen Âge grec et latin 31a-31b (1979), p. 11-37 & 53-77. 

Copenhague 1979

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Schartau Bjarne – Raasted Jørgen, Indices to the Greek Examples in Constantin Floros, Universale Neumenkunde III

Schartau Bjarne – Raasted Jørgen, 

«Indices to the Greek Examples in Constantin Floros, Universale Neumenkunde III», Cahiers de l'institut du Moyen Âge grec et latin 48 (1984), p. 105-130. 

Copenhague 1984

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Raasted Jørgen, Chromaticism in Medieval Byzantine Chant

Raasted Jørgen, 

«Chromaticism in Medieval Byzantine Chant», Cahiers de l'institut du Moyen Âge grec et latin 53 (1986), p. 15-36. 

Copenhague 1986

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Raasted Jørgen, Compositional Devices in Byzantine Chant

Raasted Jørgen, 

«Compositional Devices in Byzantine Chant», Cahiers de l'institut du Moyen Âge grec et latin 59 (1989), p. 247-270. 

Copenhague 1989

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Raasted Jørgen, Some Reflections on Byzantine Musical Style

Raasted Jørgen, 

«Some Reflections on Byzantine Musical Style», Studies in Eastern Chant I, p. 57-66. 

London 1966

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Raasted Jørgen, The Interlinear Variants in Byzantine Musical Manuscripts

Raasted Jørgen, 

«The Interlinear Variants in Byzantine Musical Manuscripts», Actes du XVe Congrès International d'Etudes Byzantines: Athènes, Septembre 1976, vol. 2, Art et Archéologie Β, p. 999-1004. 

Athènes 1976

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Raasted Jørgen, The Production of Byzantine Musical Manuscripts

Raasted Jørgen, 

«The Production of Byzantine Musical Manuscripts», Actes du XIIe Congrès international d'études byzantines, Ochride 10-16 septembre 1961, tome II, p. 601-606. 

Belgrade 1964

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Raasted Jørgen, The Princeton Heirmologion Palimpsest

Raasted Jørgen, 

«The Princeton Heirmologion Palimpsest», Cahiers de l'institut du Moyen Âge grec et latin 62 (1992), p. 219-232. 

Copenhague 1992

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Στάθης Γρηγόριος, "Το όνομά σου ότι καλόν" †Jørgen Raasted (19 Μαρτίου 1927 - 5 Μαΐου 1995)

Στάθης Γρηγόριος, 

«"Το όνομά σου ότι καλόν" †Jørgen Raasted (19 Μαρτίου 1927 - 5 Μαΐου 1995)», Θεολογία 67.3 (1996), σ. 530-549. 

Αθήνα 1996

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Raasted Jørgen, Byzantine Heirmoi and Gregorian Antiphons. Some Observations on Structure and Style

Raasted Jørgen, 

«Byzantine Heirmoi and Gregorian Antiphons. Some Observations on Structure and Style», Cahiers de l'institut du Moyen Âge grec et latin 59 (1989) p. 271-296. 

Copenhague1989

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